By Maruška Svašek,Birgit Meyer
In an period of intensifying globalization and transnational connectivity, the dynamics of cultural creation and the very suggestion of creativity are in transition. Exploring artistic practices in a variety of settings, the publication doesn't merely name realization to the unfold of modernist discourses of creativity, from the colonial period to the present obsession with 'innovation' in neo-liberal capitalist cultural politics, but in addition to the fewer obvious practices of copying, recycling and copy that happen as half and parcel of inventive improvization.
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